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Let Them Have Art

3/20/2013

When the Google Art Project launched in early 2011, it neatly brought the best of the Internet (and more to the point, Google) together in one erudite bundle. Conceived as a virtual art gallery that now houses the collections of 151 major museums around the world, it made accessible to everyone some of the world’s greatest works through super-high-res imagery, a discovery engine, user input, and virtual walkthroughs of select galleries (à la Google Street View). It was the ultimate mashup of art and technology.

By Rae Ann Fera as seen in Fast Company

Eight Common Mistakes Nonprofits Make When They First Join Twitter

3/20/2013

@NonprofitOrgs only follows nonprofit organizations, nonprofit staff, nonprofit service providers, and activists on Twitter. Each morning I browse those that have followed @NonprofitOrgs in the previous 24-hour period and if they are a nonprofit organization, a nonprofit staff member, a nonprofit service provider, or an activist, I follow them back. Many of these folks are new to Twitter and thus I get to see the Twitter debut of many nonprofits and there are eight very common mistakes that newbies make that unknowingly diminish their Twitter ROI from day one. Most of these mistakes can be avoided by simply spending 10 minutes setting up your Twitter Profile or by getting some Twitter training.

By Nonprofit Tech Team as seen in Nonprofit Tech 2.0

Who Is Really Visiting Museums Nowadays?

3/20/2013

Is your nonprofit or museum still operating under the assumption that most of the folks visiting zoos, aquariums, museums, and performing arts venues are doing so with their nuclear families? Think again. Data concerning visitor-serving organizations (VSOs) reveals that travel party constructs have evolved. While only seven years ago a majority of visitors attended VSOs with their nuclear families, the majority are now visiting with significant others.

By Colleen Dilen as seen in Know Your Own Bone

Is the Crowdfunding Bubble About to Burst?

3/20/2013

New York Times best-selling author Seth Godin is a fan. So is novelist Bret Easton Ellis. Ben Folds embraced it to bankroll his new album. Amanda Palmer has used it to raise over a million dollars and game studio Ouya just cashed in to the tune of $5.4M and counting. No longer the domain of the struggling indie artist relying on populist largesse, crowdfunding has gone high-profile. In the last year alone, Kickstarter has had seven projects that topped $1M. But when celebrity or corporate content creators move in, do they squeeze the little guy out? Are we seeing the gentrification of grassroots creative funding?

By J. Maureen Henderson as seen in Forbes

Focus Further Down the Digital Funnel

3/20/2013

No doubt you’ve heard of a marketing funnel, a model whereby prospects enter the funnel’s top (awareness) and through smart marketing are sent further down the funnel, closer and closer to becoming customers.

Typically, it takes multiple touch points along the funnel for a prospect to become a customer.  Smart marketers know they need touch points all along the funnel in order to turn prospects into customers. But with limited budgets, marketers must prioritize where along the funnel to focus budgets and efforts.
 

By Ideas Team as seen in Capacity Interactive

Doing More About Diversity in America's Orchestras

3/20/2013

I have been reflecting on diversity and orchestras lately, prompted by some work we are doing at the League of American Orchestras and my recent participation in SphinxCon 2013 in Detroit, which examined diversity, inclusion and equity in the arts. Many of you are likely familiar with Aaron Dworkin, the gifted violinist, founder and executive director of the sponsoring non-profit Sphinx Organization. Aaron is one of the important voices in our field today and a colleague who serves as a board member of the League. In a concentrated and cut-to-the-chase fashion, the conference focused on a broad range of current issues, lessons learned, and best practices aimed at transforming the arts in a truly meaningful and measurable way.

By Jesse Rosen as seen in HuffPost Arts and Culture

Arts Versus Sciences

3/5/2013

I have something to say on this subject because I am both a coder and drawer. I have been dealing with this battle between left- and right-brained people, as the kids say, like, forever. As a youngster I wanted to draw comic books, play lead guitar in a rock band, solve famous topological math problems like the Bridges of Konigsberg, invent codes and cyphers, and be an astronaut. It is easy to see that I accomplished none of those things. But I still don't draw a big fat line between what we moderns classify as an art and what we call a science.

This separation between arts and sciences is one of those areas where contemporary thinking has fallen behind our medieval, Roman, and Greek cultural ancestors. It's an illusion with huge unfortunate consequences. It is a battle where I firmly wish to be seen in the middle, not advocating one side or the other, because I would not be where I am today, helping to lead one of the most technologically advanced groups of liberal arts majors on the Internet, if I wasn't a coder who draws.
 

By John Pavley as seen in Huffington Post

Campus Collaboration

3/5/2013

Naked Angels, the theater company that has developed plays including Broadway vet “Next Fall,” has partnered with Gotham’s New School for Drama to become the academic institution’s producing partner for its M.F.A. and soon-to-launch B.F.A. programs in theater.

The two sides anticipate a mutually beneficial arrangement that will help the New School professionalize its legit training programs, while at the same time aid in stabilizing Naked Angels and its producing initiatives in a tough time for fundraising.

By Gordon Cox as seen in Variety

The New Rules for Marketing

3/4/2013

If you think of marketing as the same thing it was twenty (or even ten) years ago, you're basically screwed. The reason is simple. What works today is the opposite of what worked in the past.

The Old Rules Here's are the rules for marketing that are taught in most business courses, and are common inside most companies (many of whom are struggling):

By Geoffrey James as seen in Inc.

A Museum’s Games Are Not on Pedestals

3/4/2013

Video games, as their name suggests, combine the ancient human practice of formal play with moving pictures, a younger form. But the unsatisfying name we are saddled with for this medium — itself approaching middle age, if you date its history to the first home console in 1972 and apply the rule that middle age begins when you are older than every current Major League Baseball player — doesn’t capture the essence of video games.

The defining feature of video games is interaction, the three-way conversation among designer, machine and player. “Applied Design,” a new installation at the Museum of Modern Art — and an important one because it is the first time the museum has displayed the 14 video games it acquired in November — attempts to isolate this relationship.

By Chris Suellentrop as seen in The New York Times

Invest in Your Customers More Than Your Brand

3/4/2013

To appreciate how broken most contemporary models of advertising and promotion have become, listen to Jeff Bezos complain about how Amazon's core values are misunderstood. "One of the early examples...was customer reviews," he recalls. "One [critic] wrote to me and said, 'You don't understand your business. You make money when you sell things. Why do you allow these negative customer reviews?' And when I read that letter, I thought, we don't make money when we sell things. We make money when we help customers make purchase decisions."

By Michael Schrage as seen in Harvard Business Review

The Incredible Shrinking Ad

3/4/2013

As our attention shifts to mobile phones—and their smaller screens—ads are becoming vastly less effective. And companies built on ad revenues, like Google and Facebook, should start to sweat.

By Derek Thompson as seen in The Atlantic

Brooklyn Museum Tests a Democratic Model

2/19/2013

For years, Gabrielle Watson kept her art to herself. She painted large, expressionistic oil portraits of friends and relatives in her Crown Heights apartment when she wasn't at her day job as a lawyer. Some of her friends didn't even know about her art habit. That changed in September when Ms. Watson, who is 31, "came out" as an artist by participating in "GO," an open-studio weekend organized by the Brooklyn Museum, during which artists of every level across the borough welcomed the public into their work spaces.

By Vera Haller as seen in Wallstreet Journal

How to Take Your Pinterest Engagement and Results to the Next Level

2/19/2013

Reading article after article, you have finally convinced yourself to join the new social media site on the rise, Pinterest. That was pretty much my story with my encounter of Pinterest. I joined the site, setup my Pinterest profile, setup some new boards, and went on to repin some of the content on there.

By Samuel Pustea as seen in jeffbullas.com

Lady Gaga, BBQ Ribs, and the Invisible Hand that Moves Your Brand’s Fans to Respond

2/19/2013

Quick: Name the product that you can sell and customize for Lady Gaga, the Irish Times, the Toronto Star, ESPN, the WWE, AmazingRibs.com, and Suicide Girls. Give up? Kelly Abbott knows the answer.

By Kevin Purdy as seen in FastCompany